Terumah: The Space between the Keruvim

You shall make a cover of pure gold, two and a half cubits long and a cubit and a half wide. Make two cherubim of gold—make them of hammered work—at the two ends of the cover. Make one cherub at one end and the other cherub at the other end; of one piece with the cover shall you make the cherubim at its two ends. The cherubim shall have their wings spread out above, shielding the cover with their wings. They shall confront each other, the faces of the cherubim being turned toward the cover. Place the cover on top of the Ark, after depositing inside the Ark the Pact that I will give you. There I will meet with you, and I will impart to you—from above the cover, from between the two cherubim that are on top of the Ark of the Pact—all that I will command you concerning the Israelite people.

מקשה תעשה OF BEATEN WORK SHALT THOU MAKE [THEM] — i. e. thou shalt not make them separately (apart from the actual lid) and join them to the ends of the lid after they have been made, like goldsmith’s work which is called in old French souder (English solder) — but lay down a large mass of gold (lit., much gold) when thou beginnest to make the lid and beat upon the middle part of it (the gold) with a hammer or with a mallet, so that its ends will project upward (stand out in relief), and then shape the cherubim out of the projecting edges.

פרשי כנפים [AND THE CHERUBIM SHALL] SPREAD THEIR WINGS [ON HIGH] — i. e. that you shall not make their wings touching the body but spreading on high slightly above but almost on the same level with their heads so that the hollow space between the wings and the cover shall be ten handbreadths, as it is explained in Treatise Sukkah 5b.

והיו הכרובים, our prophets have already explained to us that when they had visions involving angels, such angels appeared to them in the guise of cherubs. This means that they had faces like humans but were equipped with wings. In spite of appearing as if physical beings, the fact that they represented disembodied intelligence was indicated by the fact that their motion was ever upwards when the prophet observed them as if being in motion. In other words, any motion ascribed to them was in the direction of facing towards G’d exclusively. Each one of these cherubs, whenever and to whomsoever they appeared, did so according to his respective level, rank, in the celestial hierarchy. והיו הכרובים פורשי כנפים, the cherubs were always in a posture of having extended wings. The human intelligence is one that aspires to attain union with its counterpart (the source from which it is derived). The process leading to this involves the understanding of certain mental disciplines in which the owner of this intelligence divests himself of any and all consideration involving concretization, i.e. concepts involving the material universe. Only in this manner can a human being attain the kind of understanding of the Divine that he is willing and capable of attaining, each according to the level of his intelligence and his piety. Such insights are achieved by intelligently looking at the manifestations of G’d in this world, studying about His attributes by gaining knowledge about how and when He does intervene in history by overriding the laws of nature which He Himself formulated and instituted. Knowing under what circumstances G’d will resort to such extraordinary miracles, and appreciating the rationale behind it, is what enables the prophet at certain times to evoke G’d’s direct involvement in the fates of individuals. When Moses asked G’d הודיעני נא את דרכך, “please instruct me in Your ways,” (33,13) he wanted precisely these kinds of guidelines. When the Torah describes the cherubs as פורשי כנפים למעלה, this describes the source from which all this inspiration has to come. The sages already explained that these cherubs had the faces of a young boy and a young girl, (Yuma 54) a reference to the initiation of actions originating in a domain which is part of the abstract world. What is initiated there resembles something masculine, as the male is symbolic of initiating matters whereas the female’s role is more responsive in nature. ופניהם איש אל אחיו, this describes that what is initiated in abstract, disembodied regions of the universe, i.e. in heaven, is accepted, received willingly and in a complementary fashion by the creatures in this concrete, i.e. physical part of the universe, Only by a merging of these two basic constituent parts of our universe can “perfection” on earth be attained. The reason why the Torah continues in describing these cherubs as facing the lid of the Ark, i.e. looking downwards whereas their wings are spread upwards, is a reminder that although inspiration originates in heaven, understanding of G’d and how He works can only come by paying close attention and studying what He does in our material, “lower” part of His universe. The ideal means of unraveling the meaning of G’d’s actions is through His revealed word, the Torah, of which the Ark has become the repository. The upshot of the message contained in the symbolism represented by the cherubs, their shape, their posture, etc., is that for us on earth the key to obtain all these insights must be obtained by study of the Torah. By giving us the Torah, allowing us to build the Tabernacle, etc.,

Continuing the previous discussion, Rav Ketina said: When the Jewish people would ascend for one of the pilgrimage Festivals, the priests would roll up the curtain for them and show them the cherubs, which were clinging to one another, and say to them: See how you are beloved before God, like the love of a male and female. The two cherubs symbolize the Holy One, Blessed be He, and the Jewish people. Rav Ḥisda raised an objection: How could the priests allow the people to see this? After all, it is stated with regard to the Tabernacle: “But they shall not go in to see the sacred objects as they are being covered, lest they die” (Numbers 4:20), and Rav Yehuda said that Rav said: When the vessels were put into their containers for transport, it was prohibited even for the Levites to look at them. The prohibition against viewing the vessels should be even more severe when they are fixed in their sacred place within the Temple. How could they be publicly displayed? Rav Naḥman said in answer: This is analogous to a bride; as long as she is engaged but still in her father’s house, she is modest in the presence of her husband. However, once she is married and comes to her father-in-law’s house to live with her husband, she is no longer modest in the presence of her husband. Likewise, in the wilderness, when the Divine Presence did not dwell in a permanent place, it was prohibited to see the sacred objects. By contrast, all were allowed to see the sacred objects in their permanent place in the Temple.